ʻO Roberto da Silva Rocha, ke kaukaʻi kulanui a me ka ʻepekema politika
Mele no ka hanau kea
Noho mākou i ka māhele o ke kani o ke mele no ka hele ʻana, no ka male ʻana o nā ʻano homo sapiens ma Brazil.
ʻO mākou wale nō ka poʻe Pasila i puka mai i ke au o ke mele mele e ʻomi i loko o ka lua, paʻa i ka Tchan, hula ma luna o ka waha o ka ʻōmole, hana mākou i ka niu, pee, nā mea a pau i ka waha o ka ʻōmole, a ʻo ia ka uā no ka hoʻomaka ʻana o ke au a me ka wā waha, ʻo ia ke komo ʻana i ka palena a i ʻole ka palena o ka lua, triple kiss zone, ʻo ia ka honi a haʻalele koke i ka ʻimi ʻana i nā waha ʻē aʻe, ʻo ia ka hoʻomaka ʻana o ka moekolohe ma ka pou. - ka pau ʻana o nā miliona o nā paulistanos i ka wā ʻōpio, i hoʻokuʻu ʻia mai ka protocol koʻikoʻi o ka Paulicéia maʻamau o nā keʻena o Avenida Paulista, me ka ʻaʻahu ʻole, me ka lole ʻole, me nā kuʻekuʻe wāwae ʻole, a me ka ʻole o ka protocol social ʻehā haneli mau makahiki, ua hoʻokuʻu ʻia ka paulistada. mai ʻehā mau kenekulia o ka hoʻonaʻauao ʻana i nā kula pipiʻi loa ma Brazil, me nā ʻaʻahu ʻaʻahu, nā ʻaʻahu papa, nā ʻaʻahu pāʻina, a me ka ʻaʻahu hoʻonaʻauao maikaʻi ʻole, e hoʻopau ana i ka ʻaʻahu nani ma hope o ka prom.
I kēia manawa ke pani nei mākou i ke ʻano o ka post romance mode, kahi a mākou e hoʻolauleʻa ai me ka hanohano nui i nā aloha huhū, nā aloha i hāʻule ʻole, ka kumakaia, ka puʻuwai aloha, nā mea āpau i hiki ke lilo i ʻano ʻē aʻe o kahi aloha aloha o ke kenekulia i hala. ʻO ke kanikau wale nō o nā aloha i hāʻule ʻole, ʻo ke kumumanaʻo o ka amorous melancholy i ʻimi ʻia mai nā kihi āpau, me ka inu nui ʻana, nā hola he nui ma nā ʻoihana pūnaewele e hoʻopaʻi ana i ka kaʻawale ʻana e hōʻike i kēia manawa ua neʻe ka laina, ʻoi aku ka maikaʻi o nā mea āpau, ʻoiai. ʻO ka ʻeha nui o ka kaʻawale ʻana, ʻo kēia ka leo kani e hoʻopau i ka millennium hou ma Brasuca, a no laila ke hoʻopaʻapaʻa nei ka sertanejo me ka leʻaleʻa Brazilian e hoʻopaʻi ana i nā makahiki o ka machismo ʻawaʻawa a ʻo ka wahine e hoʻomalu i ka hulahula, kūlou nā wahine e hōʻike i ko lākou puʻupaʻa. ʻO kā lākou vagina ka mea nui i kēia manawa o ka funk, ʻoki wale nā keikikāne i ke pelvis o nā kaikamahine kokoke e kukuli e hamo i ke keikikāne i ka mana o ka wahine a hana i ka hāʻawi ʻana o nā phalluses akā ma lalo o nā kūlana hoʻokau ʻia e ka testosterone wahine.
Ua hala nā lā o ka hula kahi i huki ai nā pūhaka i ka hapalua mahina me nā neʻe liʻiliʻi a me ka ikaika e hōʻike ana i kahi naʻau mamao, naʻauao loa me nā mele paʻakikī me nā mele kikoʻī loa i nā papa leo he nui me nā dissonants i kali ʻia e nā pepeiao i hoʻomaʻamaʻa ʻia. ʻano like ʻole a me ka waihoʻoluʻu o nā mea hou i ʻike ʻole ʻia e pau i kēlā me kēia pule, he nui nā mea hoʻokani pila e hana ana no nā mahina holoʻokoʻa e hoʻopau i nā keʻena me nā choreographies hou i hele pū me nā mea hou o ka counterpoint a me ka fugue i hoʻoulu ʻia e nā mele kahiko o Beethoven, Rachmaninoff, Handel. , Puccini, Barh i nā manawa he nui. ʻO nā huaʻōlelo plagiarized mai nā mele kahiko e like me Tchaikovsky a me nā harmonies paʻakikī i lawe ʻia mai ka opus a Mozart, ʻo ia ka manawa o ka ʻoki ʻana i nā mele i loko o nā keʻena o nā hui nui, ʻaʻole hiki iā ʻoe ke lilo i mea pena me ke aʻo ʻole ʻana i ka manaʻo mele. , ua pau ka wā disco me ka mea i hana ʻia o ka ʻano like ʻole i kapa ʻia ʻo disco techno, me nā riffs mau i ka synthesizer uila. rônico a me nā pahu uila me ka DJ a me ka MC e kūkulu ana i ke kumuhana ma kahi kumu disco, e hana ana i ka hui ola a me ka hoʻokele i ka nila o kahi mea hoʻokani pila pipiʻi mau ma luna o kahi mele vinyl.
A ʻo ka mea e hiki mai ana ma hope o kēia hāʻule ʻana o nā haʻalulu kani a me nā ʻōlelo hoʻomāinoino; ua hiki anei kakou i ka palena? No laila, hoʻi ke ʻano i ka hoʻomaka ʻana ma ke ʻano he spiral e hana hou ana iā ia iho mai ka wā i hala a hana hou i nā mea āpau me he mea lā he mea hou, ʻoiai, ʻaʻole i lohe ka hanauna hou i ka wā i hala, a ʻo ka wā i hala ka hana hou ʻana o ka poʻe manaʻo he mea hou nā mea a pau.
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